Mara Wilson didn’t vanish. She opted out of Hollywood.
If you grew up in the ’90s, you probably met her as Natalie Hillard in Mrs. Doubtfire, all curls and side-eye, holding her own opposite Robin Williams at age six. A year later, she popped up in Miracle on 34th Street. By nine, she carried a whole movie on her shoulders as Matilda Wormwood in Matilda.
Behind the scenes, life hit hard. While filming Matilda, Wilson’s mother was dying of cancer. She passed away six months later, before the film even reached cinemas. Wilson has said, “I felt completely lost, completely unmoored.” That grief didn’t pause for press junkets. She still had to smile, sign autographs, and pretend she was fine. You can guess how that worked out.
Fame piled on fast, but roles dried up. Auditions shifted from smart kids to parts labelled “the fat girl.” She was thirteen and already learning how Hollywood sorts people. She also learned how the internet treats young girls. In a New York Times op-ed, Wilson wrote that fan letters were “cute” when they came from kids her age, and disturbing when they came from grown men.
Her final big screen role, Thomas and the Magic Railroad in 2000, landed with a thud. She stepped away. No scandal. Just a decision.

She studied at New York University Tisch School of the Arts, graduated in 2009, and found her lane in writing. She wrote a memoir, Where Am I Now? Later, Good Girls Don’t.
Acting didn’t disappear entirely. It changed shape. She returned for a small, self-requested cameo on Broad City in 2016. Voice work became the sweet spot. She voiced Jill Pill on BoJack Horseman, a show that understands the mess of child fame. She haunts ears as the Faceless Old Woman on Welcome to Night Vale. She narrates audiobooks and loves it.
Now 38, Wilson (who is also the cousin of Ben Shapiro) lives in New York, writes, records, travels, and shows up at Comic-Con without pretending she wants her old life back. In fact, when a Mrs. Doubtfire sequel surfaced, she passed. “Sequels generally suck,” she said.
You don’t owe your childhood self a lifetime contract. Wilson figured that out early. And she seems lighter for it. She went from being a beautiful young actress to a beautiful young woman.
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